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Rear Window (1955)

2.1s

The same. That's the one, huh?

Rear Window (1955)

4s

One important change. One important change.

Rear Window (1955)

1.3s

Make the one you want.

Rear Window (1955)

4.8s

You're the one I dreamed of

Strangers on a Train (1951)

2.3s

You're the one who benefits, Guy.

Rear Window (1955)

1.8s

There's probably one in the basement.

Rear Window (1955)

1.7s

One more week.

Rear Window (1955)

1.5s

It depends which one.

Rear Window (1955)

1.6s

I have one now.

Strangers on a Train (1951)

3.4s

- Which one? - About blowing up the White House.

Strangers on a Train (1951)

2.8s

Brazen woman, I'm the one to say that.

Strangers on a Train (1951)

2.6s

Just one point between Haines and the match!

Rear Window (1955)

2.8s

Well, she picked the most prosperous-looking one.

Rear Window (1955)

3.3s

One with a diamond, one with a big stone of some sort

Rear Window (1955)

5s

But now just one song

Rear Window (1955)

5.2s

And just one dream remains

Rear Window (1955)

4s

That one song is you

Rear Window (1955)

3.7s

Let's let the female psychology department handle that one.

Strangers on a Train (1951)

2.7s

You're the one who's in a hurry, aren't you?

Strangers on a Train (1951)

2s

And since you're the one to profit by it...