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12 Angry Men (1957)

3.3s

The alternate jurors are excused.

12 Angry Men (1957)

2.5s

I didn't see any marks!

The Wild One (1953)

1.9s

Mark got excited, that's all.

Strangers on a Train (1951)

2.8s

Here's a special delivery. It's marked personal.

12 Angry Men (1957)

4.2s

had those same marks on the sides of her nose.

12 Angry Men (1957)

4.6s

Could those marks be made by anything other than eyeglasses?

12 Angry Men (1957)

4.3s

She had those same marks. She kept rubbing them in court.

12 Angry Men (1957)

4.8s

OK. She had marks on her nose. I'm givin' you that.

12 Angry Men (1957)

3.6s

She had dyed hair, marks on her nose. What does that mean?

12 Angry Men (1957)

4.3s

Will you stand there and mark the front door? It was chain-locked, remember.

12 Angry Men (1957)

3.4s

- Just cos she was rubbin' her nose? - She had those marks. I saw 'em.

North by Northwest (1959)

2.7s

... and become part of a new skyscraper?

The Wild One (1953)

2.5s

Frogface, dear friend, we are being parted.

On the Waterfront (1954)

4.1s

I mean, isn't everybody a part of everybody else?

12 Angry Men (1957)

3s

It don't prove anything. It's just part of the picture.

On the Waterfront (1954)

3.8s

The waterfront's tougher, Father, like it ain't part of America.

Strangers on a Train (1951)

3.1s

How are you going to do it? That's the fascinating part.

Strangers on a Train (1951)

4.5s

Simple, silent and quick. The silent part being the most important.

On the Waterfront (1954)

2.4s

You can't tell me, can you, because you're part of it.

Strangers on a Train (1951)

3s

Unless it was part of the plan, and you were in on it.